08 October 2018Posted by Mouza with 0 Comments
Gugu is one of multiple celeberties featured in the book The Endings. From the publishers website:
Featuring some of today’s most beloved actors, these piercing photographic vignettes capture female characters in the throes of powerful emotional transformations. Photographer Caitlin Cronenberg and art director Jessica Ennis collected stories of heartbreak, relationship endings, and new beginnings—fictional but often inspired by real life—and set out to convey the raw emotions that are exposed in those most vulnerable of states. Collaborating with celebrated stars, Cronenberg and Ennis developed each character, built her world, and then photographed as she lived the role before the camera. The resulting collection is a bold look at the experience of losing or leaving love and will speak to anyone who appreciates art, photography, and the strength of facing emotional depths head-on.
A friend was able to order the book and managed to send us scans of Gugu’s pages and I’ve updated the gallery with copies of them.
03 September 2018Posted by Mouza with 0 Comments
Gugu was out ttending the Women’s Tales photo call held during the 2018 Venice Film Festival on Sunday (September 2) in Venice, Italy. The Women’s Tales are a series of female-directed shorts, presented by Miu Miu, that explore life through the female eye. Gugu was wearing a beautiful Miu Miu star dress. Check out the photos in the gallery.
16 August 2018Posted by Mouza with 0 Comments
British Hollywood actress Gugu Mbatha-Raw met with refugees this week in Rwanda’s Mahama and Gihembe refugee camps, on her first trip with UNHCR, the UN Refugee Agency.
Rwanda has been hosting thousands of refugees for decades, and today supports over 150,000 refugees and asylum-seekers who have fled mainly from Burundi and the Democratic Republic of the Congo. The Government of Rwanda has generously maintained open borders and refugees in Rwanda are granted the right to work as well as being progressively included into host communities, national health and education systems.
After spending time meeting and talking to Burundian and Congolese refugees and seeing some of UNHCR’s work to support and protect them, Mbatha-Raw commented, “It’s one thing to hear about UNHCR’s work, and another to witness it first-hand. It has been eye-opening to meet the refugees who have fled unimaginable violence and suffering, and to hear their stories. I met a woman, Rehema, who had just arrived from Burundi – she was 9 months pregnant and with her two year old daughter Josephine. Her husband had been killed and she fled desperate for help with a baby about to be born. Seeing how quickly the UNHCR team and partners worked to get her settled and give her special assistance was incredibly impressive.”
”I have been able to see some amazing, positive UNHCR supported projects here in Rwanda, like MADE51 an inspiring initiative in which Burundian refugee women create beautiful products like bowls, baskets and bags for international sales.”Mbatha-Raw continued. “It’s uplifting to see these talented women getting the opportunity to earn their own money, while learning creative and business skills. But MADE 51 also creates a vital healing environment, a feeling of dignity, hope and a sense of working together to create a new community.
The group of artisan women Mbatha-Raw met are supported by ‘Indego Africa’ in Mahama camp as part of UNHCR’s MADE51 initiative, which helps to connect refugee-made artisanal products with international markets.
UNHCR has led a programme of resettlement to the United States for Congolese refugees who have fled to Rwanda. The US also provides significant financial assistance for refugee programs in Rwanda and is the largest individual donor to UNHCR. Since 2002, more than 57,000 Congolese refugees have been resettled in the United States. Commenting on this Mbatha-Raw said “Refugee resettlement is so vital for many of the vulnerable refugees I have met, who have already shown incredible resilience and strength, resettlement has the capacity to be completely life-changing. I met a young woman, Jeanette, about to be resettled in Atlanta and when I asked her what she would do there. She told me ‘I am young, I can do anything!’ But even though needs are greater than ever, less than 1% of refugees worldwide are ever resettled.”
UNHCR’s Representative to Rwanda, Ahmed Baba Fall, said, ‘The Burundian and Congolese refugee crises remain two of the most chronically underfunded in the world. High profile visits like Gugu’s help to shine a light on these forgotten crises by amplifying the voices of those who have been forced to flee to ensure they are not forgotten.
27 June 2018Posted by Mouza with 0 Comments
26 May 2018Posted by Mouza with 0 Comments
21 May 2018Posted by Mouza with 0 Comments
Websites that collect data on citizens in European Union (EU) countries and UK will need to comply with strict new rules around protecting customer data by May 25, due to the General Data Protection Regulations (GDPR). This regulations set rules for how and when we can collect personal data from users on our website, so is now required by law to be transparent about the personal data we collect, also be relevant and limited to what is necessary for the intended purpose of collection, but, specially, gain consent from individuals before using it.
21 April 2018Posted by Mouza with 1 Comment
Gugu Mbatha-Raw is high on life. I can hear the smile in her voice when she picks up the phone—her joy bubbles over the line, and it’s wholly warranted.
The last seven days marked a frenzy of career highs for the 34-year-old Brit: the surprise Netflix release of her latest film, The Cloverfield Paradox, was the talk of the Super Bowl; she joined the cast of the Edward Norton-directed Motherless Brooklyn alongside Willem Dafoe and Bruce Willis; and she premiered her other Netflix movie, a heartbreaker of a romantic dramedy titled Irreplaceable You, in New York.
Oh, and last Friday, she became a member of the Most Excellent Order of the British Empire at Buckingham Palace (MBE). Casual. “We’ve been joking that I’ve been working on my damehood since I was 12,” she tells BAZAAR.com, laughing. “I’ve had one rung, three rungs down from a dame, so I’ve still got some more to go.”
It’s not difficult to imagine Mbatha-Raw walking in the footsteps of famous thespian dames like Judi Dench, Helen Mirren, and Harriet Walter. She, too, got her start on the stage before establishing herself through starring roles in Amma Asante’s Belle, Gina Prince-Bythewood’s Beyond the Lights, last year’s Disney mega-hit Beauty and the Beast, and a critically-acclaimed, Emmy-winning episode of Black Mirror.
But these triumphs merely set the stage for a year poised to shoot Mbatha-Raw to the highest rung of superstardom. Though critics panned the Julius Onah-directed Cloverfield Paradox, it’s worth a watch for Mbatha-Raw’s performance alone. She commands the screen, no easy feat alongside talents such as David Oyelowo, Daniel Brühl, and Elizabeth Debicki. And that’s merely the start of a string of highly-anticipated projects including the Ava DuVernay-directed A Wrinkle in Time, which is set to claim another box office victory for Mbatha-Raw when it hits theaters March 9.
Below, the actress opens up about her big week, venturing into STEM with her latest projects, and the fairytale Cloverfield moment that led to her casting in A Wrinkle in Time. [More at Source]
15 April 2018Posted by Mouza with 0 Comments
Gugu Mbatha-Raw’s acting portfolio boasts roles like a bonnet-wearing 18th-century aristocrat in Belle, a violet-haired pop star in Beyond the Lights, and a futuristic astronaut in The Cloverfield Paradox, to name a few. It’s impossible to predict whom the 35-year-old is going to play next—and that’s just how she likes it. “No one wants to be stuck in a box,” Mbatha-Raw says. “I have a short attention span and want to keep myself interested. Variety is the spice of life, and I never want to get bored.”
At our New York City shoot, she is in full-on storytelling mode, assigning personalities to the many hats she tries on. An oversize green Mulberry topper is “very My Fair Lady,” a straw-bow Delpozo style is appropriately dubbed Minnie Mouse, and a wide-brimmed Elie Saab design is so “Anne of Green Gables” that Mbatha-Raw jokes she should go get some honey from her bees as she poses.
There’s no doubt that Mbatha-Raw loves what she refers to as the dress-up element of getting into character, but when it comes to her hair and makeup, she prefers to keep things simple. “I feel most beautiful when I’m not being perceived as beautiful,” she says over coffee in Brooklyn a few days after our shoot. “If I’m not thinking about what I look like, then I’m just happy and free to be myself.” Growing up in rural Oxfordshire, “a million miles away from Hollywood or any big city,” she was raised by her English mom, a nurse, and her South African dad, a doctor, to “nurture the soul, spirit, and intelligence rather than the exterior.” That notion has stuck with Mbatha-Raw, so it’s been a process for her to accept the value placed on appearance in the entertainment industry. “I’ve had to come to terms with the concept of beauty without judging it as a vacuous thing,” she says. “My image is part of my job, but I’m getting more comfortable with knowing that it doesn’t define who I am or mean that I’m a superficial person. It’s about expressing yourself.” [More at Source]
21 March 2018Posted by Mouza with 0 Comments
Late last year, Gugu Mbatha-Raw received a phone call from her mother. A letter had arrived at the family home in Witney, Oxfordshire. It wasn’t in just any old envelope; this bore a seal, and the words “Her Majesty’s Service”. Mbatha-Raw giggled down the line from Los Angeles. “Mother!’ she said. “It’s the damehood!”
The truth’s not so far removed: when we meet for lunch in London in January, Mbatha-Raw is fresh from a trip to Buckingham Palace to collect an MBE. “It was incredible,” she says sounding wistful, slightly in awe. “A chamber orchestra performed, sun streamed through the windows. Afterwards there was champagne and photos. It felt like a very posh graduation.” Still, if you think she’s wide-eyed about it, you should see her parents: “I think they’re more impressed than they would be if I won an Oscar.”
Awards season and its role in celebrating, or at least promoting, issues of diversity and equality is everywhere when we speak. “As much as people may be critical of those zeitgeisty moments, they have changed awareness,” she says. “Producers and casting directors have had to interrogate their choices, and it’s the same with the women’s movement: people are now calling out who’s not in the room, who’s not represented.”
In many ways, she observes, we’re repurposing awards ceremonies now. As protests? “Yeah, and that’s a good thing. I think we should be using them as ways to have discussions, rather than just treating them as shiny ego boosts for the industry. Because at some point, you have to ask: ‘What are these pats on the back for?’” [More at Source]
14 March 2018Posted by Mouza with 0 Comments
As the entertainment director of Stylist, it’s easy for me to say someone is an important name to know. Someone you should commit to memory and follow their career path because what they are doing is versatile, skilled and barrier-breaking. It’s not often the Queen agrees with me (to my chagrin). But this time the Queen does agree with me, recently awarding Gugu Mbatha-Raw – that aforementioned name to know – with an MBE for services to the arts, an honour she received a few weeks ago at Buckingham Palace: the royal seal of approval in its purest form.
Mbatha-Raw, 34, is an actor who has been working hard for years, gradually increasing her profile, proving and improving her talents. It’s interesting that 2018, a momentous year for women, is the year that she will be catapulted into the big time with her ability to command whichever screen she is on. I suspect it’s also of note that she’s an actor who has largely worked with female directors on her biggest roles (except 2016’s sublime Black Mirror series three episode San Junipero), including her breakout role in 2014’s Belle, directed by Amma Asante, and Beyond The Lights by Gina Prince-Bythewood the same year, which both centre on women who want – need – their voices to be heard in very different confines. [More at source]